This is my place for my misfit writings: blather about reading on subways and mobiles,
fiction for an audience of one, quixotic novel translations. I dearly hope you enjoy them.
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The Letter of Recommendation column of The New York Times
"celebrates the overlooked and underappreciated." A worthwhile exercise, one I—who poke around
in every sidewalk box of discarded trinkets and peruse every bookstore's dollar-book table—aspire
to do every day. These are my Letters of Recommendation—love letters to life.
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I read Honeybees and Thunder by Riku Onda some years ago, and
immediately fell in love with it: a diverse cast of young pianists, unified by their love of music,
brought together by an international piano competition. Seeing no translation in English, I took it upon
myself to translate it from (the already-translated-from-Japanese) Korean to English. I don't aim for
a perfectly accurate translation—this began as a project to sustain my Korean—and it is unfunded and
unauthorized. But it is good fun, and if you enjoy music or play the piano, you might just find it
delightful.
On rare occasions, a good idea for a short story will occur to me; on rarer occasions, I will have
the time and mental wherewithal to draft and edit it. All my fiction can be found below.
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Moments Musicaux is a generic name for a collection of music;
Schubert, Rachmaninoff, and others have composed suites titled as such. Below are my musical moments:
my favorite moments in music.
(N.B.: there are many undoubtedly excellent, transcendent, etc. moments in music—the finale of Beethoven's
Piano Sonata no. 31 or Mahler Two, the tutti of the first movement of Tchaikovsky's Violin Concerto or
the explosive brass of Mussorgsky's "The Great Gate of Kiev." But I aim to write about the less obviously
glorious, less immediately breathtaking musical moments—sometimes, a single pause or note do the trick just
as well.)